There are a few very big IFs in that article though, and one particular hang-up. ; First, it's about the big share change in the Japanese market - which is extremely different from the US market. ; They are prone to embrace miniaturization, technology, and fancy design more than the U.S. or European markets. ; Second, all that has to happen for the entire situation to change is for Nikon or Canon to release a mirrorless model - after which it will become the greatest thing since sliced bread and outsell all others based on absolutely no other factor than the name on the front. ; They have the name recognition - and not really for the true enthusiast groups, but for the masses. ; Enthusiasts tend to do more research, and some of them find their way to Sony, Pentax, Panasonic, or Olympus after determining that the feature set or design was better suited to them than what Canon or Nikon offered. ; The pro market has to stick with what they already have, because they've invested tens of thousands into lenses and bodies, and because they get a special tailored service from the well established pro divisions of those two makers. ; The total amateur market buys based on brand name familiarity and presumed superiority...all they have to hear is that pros use Canon or Nikon, and that's what they want. ; And with the advertising push and market cornering those two can achieve with their profit margins from the pro cameras, they can make sure even their cheapo stuff sells on brand-cache alone.
So, Canon or Nikon make a mirrorless model, and advantage: gone for Sony and Panasonic. ; Fortunately, if Sony or Panasonic can drop the silly pursuit of #1 status and stop trying to knock off the other two big makers, and instead concentrate on making solid products with unique advantages at a profit, and be happy with #3 or #4...they can thrive as a company and we enthusiasts can enjoy the excellent and diverse selection in the marketplace.